Screen Cleaning (stripping or reclaiming)

March 25th, 2009

Here it is, a video how-to. A detailed explanation follows and I will add images to jazz it up a bit soon.

As our screens are re-usable, we just need to get that old stencil off, so we can start afresh with a new design. Here’s how we do it: (Wear gloves)

1. Stripping

You need a stripper or screen wash that will remove your particular type of emulsion. Most strippers are cross-platform, but some emulsions need a specific product. I use what is referred to as Gel Strip, a blue paste that you apply to the emulsion. There are also powders that dissolve in water that do the same thing. 

I use a normal nail brush to apply the stripper. I use this to spread the product around the screen evenly and the scrubbing action works the gel into the emulsion. I do not scrub very hard. Once I have applied the stripper to both sides of the screen, I can see that it is starting to work the emulsion back to a water soluble state. There is pink residue on my scrubbing brush already from the emulsion starting to come off. 

At this point I use a bit of water on the brush to work it even more, scrubbing both sides of the screen gently. After a minute or so, the emulsion should be ready to come off with water. I use a spray hose or some use a high pressure hose. It should come away quite easily. Rinse thoroughly, make sure you spray out all of the emulsion particularly on the sides of the screen as any bits left behind could hinder the coating process later. 

You may notice that the mesh is not clean at this point. If you can hold it up to the light and see through the mesh, even if it appears stained with ink form the previous use then you can skip the second step and go to degreasing. If the ink residue appears to be a physical obstruction (usually caused by a super-cover/opaque ink), this can effect your next exposure and you should go to step 2. 

2. De-hazing

For this process I use a ghost image/haze remover. Gloves are a must and a mask or protective glasses are a good idea. Dried ink remaining in the mesh is referred to as haze. Haze remover is a caustic gel that separates the ink from the mesh and allows it to be washed away. I only use this step when I have to due to the harshness of the chemical.

Again using a nail brush, I apply the gel only to the stained areas - it is not necessary to spread it all around the screen. I scrub gently front and back of the mesh and then leave for about five minutes. The ink should wash away easily. Again, rinse thoroughly. Sometimes the darker inks may not wash out fully, however if you can see through it, it’s fine. Go to step 3.

3.Degreasing

This is the final step. Degreasing removes impurities from the mesh, such as chemical residue. If your screen is not clear of residue, the emulsion can repel from the mesh when you try to recoat.

Basically all it is is a detergent, so I dilute some dish liquid in a spray bottle and spray it onto the screen. Again with a nail brush I scrub it into the mesh, spreading it evenly on both sides until I get a bit of lather going. Rinse very thoroughly, especially around the frame, so that no drips transfer onto the mesh while drying.

That’s about it. You should dry it in your screen cupboard or somewhere it won’t be exposed to dust or dirt. Make sure it is fully dry before you re-coat.

Film Positive

February 24th, 2009

A film positive, sometimes referred to as a transparency, is what is used to create the screen stencil using photographic emulsions. A professional transparency is a clear film printed or thermoset with an black opaque image. Having said this there are, as always, many different ways to achieve the effect of a film positive without the cost.

Anything that holds out light will work as a film positive.

If you understand this basic premise, you can make just about anything into a film positive. Here are some methods you can use :

Laser printed transparencies allow you to create a cheap film positive from a computer file or scan. You can buy blank transparencies, suitable for laser printers, at stationery stores. The one drawback is that laser printers use toner, and the density of the image may not be good enough to effectively hold out light for a decent exposure. There is a product called Toner Density Spray that you can apply to your transparency after it has been printed and that will darken the toner and make it more reliable as a film positive.

A photocopier is another good alternative for creating cheap filmwork. Use blank transparencies to photocopy your image onto the film. Again, the use of toner density spray may be necessary. Another thing you can do to make your positive more opaque is to photocopy two transparencies and lay them over each other. Perfect alignment is difficult to achieve with this method, as photocopiers, as well as laser printers, use heat to create the image. There will always be a degree of shrinkage in your transparencies, but this method can work well enough.

Tracing paper also works a treat as a film positive. It is clear enough to let through the ultraviolet light, so if you ensure that your design is dark enough to hold out the light, then this is a good method. You can use this if you do not have a computer, or would like to retain a hand drawn feel to your design. Opaque pens are great, usually they are available from art stores in different tip thicknesses and such. You can use these to draw/trace your image onto the paper. Opaque pens contain a red ink, and under UV light, red is as powerful as black.

Anyway, this is just the tip of the iceberg. When you think about the statement above, you may want to experiment with everyday items that are opaque enough to hold out UV light. Mesh bags like those you buy oranges in can create a nice effect. Pieces of paper, masking tape, leaves, etc, can all be used to make some sort of image. As long as light cannot fuly pass through it, you will get some sort of effect.

Central TAFE Exhibition December 3-5, 08

December 2nd, 2008

I’ve just completed a job for the students of the Central TAFE Graphic Design School. They are having a showing of their work this week.
http://www.primecuts08.com/

Check out the details and go along to support our newest crop of artists and designers. Or take a good look at the site if you can’t make it. There is some really nice work to see.

Movember, Movember!

November 24th, 2008

Our friend, Brett, is growing the Mo for Movember. It’s a great cause to support.

Click on the button to visit the Movember site.

Movember - Sponsor Me

The Latest

November 22nd, 2008

Just giving a shout out to my most recent clients

Jake from Fuzion Body Boarding - Awesome new WA based surf label. Get on board. -myspace.com/fuzionbb

Cindy from The Beat Collective - Not for profit DJ Network available for parties and the like. -thebeatcollective.com